PoetryIssue 20 | May 2014

Etched

by Michael Bazzett

The fineness of the line draws you in:
ink made from the soot of charred bones, 
furred shadows soft beneath the trees.

You lean in like a stamp collector
because one hundred and seventy years ago
someone in Holland took an iron stylus

and marked metal to still
this stand of oaks so you could enter
an endless June afternoon

where one lonely cow lies
in shade, head lifted in bovine meditation,
oblivious to any hovering presence

trying to discern whether its eyes are
open, closed, or somewhere in between.

About the author

Michael Bazzett’s favorite mode of transportation is reading a book in his hammock. He has new work forthcoming in Cream City Review, Literary Imagination, Massachusetts Review, Pleiades, and Prairie Schooner. Read his chapbook, The Imaginary City.

Read our current issue:

Poetry

Two poems by Anne Babson
Vignette, Townhouse, 9 a.m. by Troy Cunio
Night Becomes Day Over the West by Megan Foley
Yukon River Aurora by D. B. Goman
Two Poems by David Havird
Cretan Love Letter by Emily Linstrom
Holland by Rick Mullin
Fear in Kenya by Kristina Pfleegor
The Lounge Lizard by Ed Shacklee
Two Poems by Sarah J. Sloat
Night Flight by Vicki Stannard
Koinonia Farms by Alina Stefanescu
Thessaloniki, Four a.m. by Anastasia Vassos
Imaginary Oceans by Jason Warren
Two Poems by F. J. Williams

Postcard prose

It’s Salty by Kelly Hill

Travel notes

Anchorage in the Great Land by Karen Benning
The Value of Small Money by Megan Hallinan
Screensaver by Sandra Larson
Thirty Cents by Tommy McAree
Gokarna by Kate McCahill
Going Places by Rachel Miller-Howard
Susanville CA: Notes From The Road by Susan Volchok